The public records act is a fascinating tool, offering a
picture of government decision-making otherwise unavailable to citizens who
rely on public statements made by public officials. It proved useful in digging
into the controversy stirred recently when University of Wyoming officials
destroyed a sculpture that had drawn the ire of influential donors and
legislators.
My public records request produced massive amounts of documents
weaving a troubling story including threats from legislators and the mining industry.
The issue is more important than UW’s decision to destroy a sculpture known as Carbon Sink, which raises significant questions of freedom of expression. The University
cannot address those issues until it addresses more foundational questions.
Over the years, with the steadfast insistence of the
University, Wyoming made a choice. It would remain one of the only states in
the country to have just one state funded four-year school. There would be no competition
allowing education consumers to choose one school over another. That elevates
the role and responsibility of policymakers to make certain our university is a
place of excellence where students learn not what to think but how to think.
Tom Buchanan has announced he’ll resign at the end of this
academic year. The University is beginning the process of selecting his successor.
This is the time to ask how much influence the University should give to those
with political and economic clout? Bluntly, if the mining industry has sway
sufficient to force censorship of art, shouldn’t we assume they are also
influencing the school’s research on issues ranging from fracking to climate
change?
Finding an answer implicates not only the University but
also the legislature. As the state’s single four-year school of higher
education, UW relies heavily on its relationship with the legislature. The
conduct of certain legislators in the destruction of Carbon Sink demonstrates a lack of discipline on their part and an
attitude of individual self-importance destructive to a healthy relationship
between the legislature and the University. The legislature won’t open that
conversation. Others must.
This series examines records provided by the University and actions
taken by President Buchanan and others. It discloses the threats made by legislators
and the energy industry coercing the University to censor a piece of art they
found objectionable. Finally, the series examines the role of certain
legislators. Just as the state has but one university, it has, for any
practical purpose, one political party. That’s a prescription for the kind of
abuse of power evident in this case.
The controversy
began with a July 12, 2011, announcement that British artist Chris Drury would create
a sculpture for the campus. Drury uses the environment to make artistic
statements. Carbon Sink used
beetle-kill logs interspersed with coal in a vortex to create a message about
climate change. UW’s announcement said, “It
explores the connection between Wyoming’s strong oil and coal industries and
climate change, which is contributing to pine beetle kill.” But the energy
industry is allergic to messages acknowledging climate change.
Marion Loomis, Wyoming Mining Association head, fired an email
to Don Richards, UW’s vice president for government affairs. “Don, what kind of crap is this? It
got worse quickly. Loomis told reporters,
“They get millions of dollars
in royalties from oil, gas and coal to run the university, and then they put up
a monument attacking me, demonizing the industry." Kelly Mader, vice-president for
State Government Relations for Peabody Energy (a former Wyoming legislator), threatened,
“Our $2 million donation to the University is now in question.”
Then legislators loyal to the causes of the energy lobby
jumped into the fray. More tomorrow.
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